Showing posts with label Lifestyle. Show all posts
Showing posts with label Lifestyle. Show all posts

Van Cliburn, American classical pianist, dies


FORT WORTH, Texas (AP) — Van Cliburn, the internationally celebrated pianist whose triumph at a 1958 Moscow competition helped thaw the Cold War and launched a spectacular career that made him the rare classical musician to enjoy rock-star status, died Wednesday after a fight with bone cancer. He was 78.


Cliburn died at his home in Fort Worth surrounded by loved ones, said his publicist and longtime friend Mary Lou Falcone.


The Grammy winner had made his last public appearance in September at the 50th anniversary of the prestigious piano competition in Fort Worth named in his honor. To a roaring standing ovation, he saluted many past contestants, the orchestra and the city, saying: "Never forget: I love you all from the bottom of my heart, forever."


"His legacy is one of being a great humanitarian, a great musician, a great colleague, and a great friend to all who knew and loved him. Van is iconic," said Carla Kemp Thompson, chairwoman of the Van Cliburn Foundation, which hosts the competition. "(We) join the international community in mourning the loss of a true giant."


Cliburn skyrocketed to fame when he won the first International Tchaikovsky Competition in Moscow at age 23 in 1958, six months after the Soviets' launch of Sputnik embarrassed the U.S. and propelled the world into the space age. He triumphantly returned to a New York City ticker tape parade — the first ever for a classical musician — and a Time magazine cover proclaimed him "The Texan Who Conquered Russia."


But the win also proved the power of the arts, bringing unity in the midst of strong rivalry. Despite the tension between the nations, Cliburn became a hero to music-loving Soviets who clamored to see him perform and Premier Nikita Khrushchev reportedly gave the go-ahead for the judges to honor a foreigner: "Is Cliburn the best? Then give him first prize."


In the years that followed, Cliburn's popularity soared, and the young man from the small east Texas town of Kilgore sold out concerts, caused riots when spotted in public and even prompted an Elvis Presley fan club to change its name to his. His recording of the Tchaikovsky Piano Concerto No. 1 with Russian conductor Kirill Kondrashin became the first classical album to reach platinum status.


Time magazine's 1958 cover story quoted a friend as saying Cliburn could become "the first man in history to be a Horowitz, Liberace and Presley all rolled into one."


Cliburn performed for royalty, heads of state in Europe, Asia and South America, and for every U.S. president since Harry Truman.


"Since we know that classical music is timeless and everlasting, it is precisely the eternal verities inherent in classical music that remain a spiritual beacon for people all over the world," Cliburn once said.


But he also used his skill and fame to help other young musicians through the Van Cliburn International Music Competition, although he was never a judge.


Created by a group of Fort Worth teachers and citizens in 1962, the competition, held every four years, remains a pre-eminent showcase for the world's top pianists. An amateur contest was added in 1999.


"It is a forum for young artists to celebrate the great works of the piano literature and an opportunity to expose their talents to a wide-ranging international audience," Cliburn said during the 10th competition in 1997.


The 14th competition is to be held in May and June and will be dedicated to Cliburn's memory.


Cliburn's "Rachmaninov: Piano Concerto No. 3" won a Grammy for best classical performance in 1959, and he was awarded the Grammy Lifetime Achievement Award in 2004.


The Recording Academy, which bestows the awards, said Wednesday that Cliburn transcended cultural barriers and politics through the power of his music, and "his legacy will continue to have a great impact not only on classical music, but on our culture as well."


In 2003, President George W. Bush presented Cliburn with the Presidential Medal of Freedom — the nation's highest civilian honor. The next year, he also received the Order of Friendship of the Russian Federation from Russian President Vladimir Putin.


"I still have lots of friends in Russia," Cliburn said at the time. "It's always a great pleasure to talk to older people in Russia, to hear their anecdotes."


After the death of his father in 1974, Cliburn announced he would soon retire to spend more time with his ailing mother. He stopped touring in 1978.


He told The New York Times in 2008 that among other things, touring robbed him of the chance to enjoy opera and other musical performances. "I said to myself, 'Life is too short.' I was missing so much," he said. After winning the competition, he added, "it was thrilling to be wanted. But it was pressure too."


Cliburn emerged from his sabbatical in 1987, when he played at a state dinner at the White House during the historic visit to Washington of Soviet leader Mikhail Gorbachev. Gorbachev leapt from his seat to give the pianist a bear-hug and kisses on the cheeks.


The 13th Cliburn competition, held in 2009, made history when a blind pianist from Japan, Nobuyuki Tsujii, and a teenager from China, Haochen Zhang, both won gold medals. They were the first winners from any Asian country, and Tsujii was the first blind pianist to win. And it was only the second time there were dual first place winners.


Cliburn was born Harvey Lavan Cliburn Jr. on July 12, 1934, in Shreveport, La., the son of oilman Harvey Cliburn Sr. and Rildia Bee O'Bryan Cliburn. At age 3, he began studying piano with his mother, herself an accomplished pianist who had studied with a pupil of the great 19th century Hungarian pianist Franz Liszt.


The family moved back to Kilgore, Texas, within a few years of his birth.


Cliburn won his first Texas competition when he was 12, and two years later he played in Carnegie Hall as the winner of the National Music Festival Award.


At 17, Cliburn attended the Juilliard School in New York, where fellow students marveled at his marathon practice sessions that stretched until 3 a.m. He studied under the famed Russian-born pianist Rosina Lhevinne.


Between 1952 and 1958, he won all but one competition he entered, including the G.B. Dealey Award from the Dallas Symphony, the Kosciusko Foundation Chopin Scholarship and the prestigious Leventritt. By age 20, he had played with the New York Philharmonic and the symphonies of most major cities.


Cliburn's career seemed ready to take off until his name came up for the draft. Cliburn had to cancel all shows but was eventually excused from duty due to chronic nosebleeds.


Over the next few years, Cliburn's international popularity continued as he recorded pieces ranging from Mozart to a concerto by American Edward McDowell. Still, having been trained by arguably the best Russian teachers in the world, Cliburn's heart was Russian, with the Tchaikovsky and Rachmaninoff concertos.


After 1990, Cliburn toured Japan numerous times and performed throughout the United States. He was in the midst of a 16-city U.S. tour in 1994 when his mother died at age 97.


Cliburn made his home in Fort Worth, where in 1998 he appeared at the opening of the Nancy Lee and Perry R. Bass Performance Hall, both in recital and as soloist with the Fort Worth Symphony Orchestra. He endowed scholarships at many schools, including Juilliard, which gave him an honorary doctorate, and the Moscow and Leningrad Conservatories.


In December 2001, Cliburn was presented with the prestigious Kennedy Center Honors Medallion at the televised tribute held in Washington.


Until only recently, Cliburn practiced daily and performed limited engagements.


Cliburn is survived by his manager and longtime friend, Thomas L. Smith.


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Online:


Van Cliburn Foundation: http://www.cliburn.org


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One and done at Oscars for MacFarlane


NEW YORK (AP) — It looks like it's one and done at the Oscars for Seth MacFarlane.


The "Family Guy" creator was asked on his Twitter account whether he'd consider hosting the Academy Awards again and he replied: "No way. Lotta fun to have done it, though."


MacFarlane's edgy comedy proved a polarizing force on Sunday's Academy Awards, with jokes about domestic violence, women's bodies and Jews in Hollywood that offended some viewers. The Oscars did get their biggest audience in three years, however, with particular growth among young viewers.


MacFarlane's spokeswoman said Tuesday she had nothing to add to the tweet.


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Oscars have clear favorites, wild-card MacFarlane


LOS ANGELES (AP) — Some firsts and other rarities are possible at Sunday night's Academy Awards. But if the Oscars could be just a little less predictable, the show might really be one for the record books.


Ben Affleck's "Argo" looks like it will uniquely claim best picture without a directing nomination, while "Lincoln" filmmaker Steven Spielberg and star Daniel Day-Lewis are favored to join exclusive lists of three-time Oscar winners.


If some longshots came in, the night could produce two more three-time acting winners — Sally Field from "Lincoln" and Robert De Niro for "Silver Linings Playbook."


We could also have the oldest or youngest acting winner ever — 86-year-old "Amour" star Emmanuelle Riva and 9-year-old Quvenzhane (Kwa-VEHN-ja-nay) Wallis of "Beasts of the Southern Wild."


The ABC television broadcast itself could set some fresh highs or lows. Oscar overseers keep talking about pacing and trimming fat from a ceremony that's dragged on interminably, approaching four and a half hours one year. Can they keep it tight and lively enough that viewers don't think about gouging out their eyes around the three-hour mark?


And what about host Seth MacFarlane? He's a classy, low-key guy in person, with an old-fashioned Sinatra-style singing voice that he'll no doubt put to use in a show that's shaping up as a music-heavy, Broadway-style celebration of cinema.


Yet MacFarlane's career is built on pushing the envelope — or crumpling it and tossing it in the trash — as he's tested the boundaries of good taste with such brazen shows as his animated series "Family Guy" and last summer's obscenity-laden blockbuster "Ted," which earned him a songwriting Oscar nomination.


The result could be a fun night for younger, hipper TV audiences that Oscar organizers are courting but a crude awakening for traditionalists who like their Academy Awards to lean more toward the sacred than the profane. Or it could be that MacFarlane makes the most of the thankless task of shepherding the Oscars, striking a nice balance between respecting Hollywood and poking fun at it.


"I think a little bit of that injected into the mix will go a long way, but I do also have to be mindful, in this instance, of not losing the audience that's there every year," MacFarlane said. "It's a different audience from my own, but I do have to be respectful that they will be watching."


So maybe it's an Oscar show that's shaken, but not stirred up too much. That might suit one of the evening's special honorees, British super-spy James Bond, whose adventures will be the subject of a tribute to mark the 50th anniversary of his first big-screen outing in "Dr. No." Adele will perform her Oscar-nominated title tune to last year's Bond tale "Skyfall," while the show features Shirley Bassey, who sang the Bond theme songs for "Goldfinger," ''Diamonds Are Forever" and "Moonraker."


The show presents a salute to movie musicals of the last decade, with "Chicago" Oscar winner Catherine Zeta-Jones and "Dreamgirls" winner Jennifer Hudson joining "Les Miserables" cast members that include best-actor nominee Hugh Jackman, supporting-actress front-runner Anne Hathaway, Russell Crowe, Helena Bonham Carter and Amanda Seyfried.


Oscar producers Craig Zadan and Neil Meron have lined up a bubbly mix of young and old Hollywood as presenters, performers and special guests — from Barbra Streisand, Michael Douglas and Jane Fonda to "Harry Potter" star Daniel Radcliffe, "Twilight" star Kristen Stewart, and Robert Downey Jr. and his superhero colleagues from "The Avengers."


Along with front-runners Day-Lewis as best actor for "Lincoln" and Hathaway as supporting actress for "Les Miserables," the other favorites are Jennifer Lawrence as best actress for "Silver Linings Playbook" and Tommy Lee Jones as supporting actor for "Lincoln."


Day-Lewis would be only the sixth performer to earn three or more Oscars and the first to win three times as best actor. "Lincoln" also could make Spielberg just the fourth filmmaker to win three or more directing trophies.


Affleck's thriller "Argo" is in line for best picture after winning practically every top prize at earlier honors. Hollywood was shocked that Affleck was snubbed for a directing nomination, possibly earning the film some sympathy votes, particularly from actors, who love it when one of their own succeeds behind the camera.


The story of how Hollywood, Canada and the CIA teamed up to rescue six Americans during the Iranian hostage crisis, "Argo" would become just the fourth film in 85 years to claim the top prize without a best-directing nomination and the first since 1989's "Driving Miss Daisy."


The best-picture prize typically ends the Oscar show, but this time, MacFarlane and Kristin Chenoweth will perform a closing number on the Dolby Theatre stage that producers Zadan and Meron called a "'can't miss' moment."


Keeping the wraps on whatever surprises they have in store has been a chore for them and MacFarlane.


"It's been difficult. The press, as you know, is very nosy and sneaky. They're always sniffing around trying to get any advance notice," MacFarlane said. "It's like (expletive) Christmas. Wait till Christmas morning. Don't spoil the surprise."


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AP Entertainment Writer Sandy Cohen contributed to this report.


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Oscars expand social media outreach for 85th show


LOS ANGELES (AP) — The Academy of Motion Picture Arts and Sciences is encouraging celebrities to tweet during the Oscars.


The film organization has expanded its digital outreach for the 85th Academy Awards with a new feature that lets stars to snap photos of themselves backstage during Sunday's ceremony and instantly post them online.


What Twitter calls a "Magic Mirror" will take photo-booth-style pictures of participating stars in the green room and send them out on the academy's official Twitter account. Organizers expect multiple celebrity mash-ups.


The backstage green room is a private place for stars to hang out before taking the stage and is typically closed to press and photographers.


The Magic Mirror is "giving access to fans at home a part of the show they never got to experience before," Twitter spokeswoman Elaine Filadelfo said Friday.


A new video-on-demand/instant replay feature also being introduced Sunday will allow Oscar fans to view show highlights online moments after they happen and share them with friends on Twitter and Facebook. Dozens of clips from the red carpet and the awards telecast will be available on the official Oscar website beyond Sunday's ceremony.


Oscar.com also offers other behind-the-scenes interactive features, including various backstage camera perspectives and a new live blog that aggregates the show's presence across social media. It will track the traffic on whatever makes a splash, like Angelina Jolie's right leg did last year.


The academy wants to make its second-screen experience just as rich as its primary one.


"Social media is now mainstream," said Christina Kounelias, chief marketing officer for the academy.


"We're not doing social media to reach out to young kids," said the academy's digital media director, Josh Spector. "We're doing it to connect with all Oscar fans."


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Follow AP Entertainment Writer Sandy Cohen on Twitter: www.twitter.com/APSandy.


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Online:


www.oscar.com


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'Parade's End' keeps British TV invasion going


LOS ANGELES (AP) — Tom Stoppard is sitting on the patio of a Sunset Boulevard hotel, bathed in California winter sunshine, framed by bamboo landscaping and looking very much out of his element in Hollywood.


The acclaimed British playwright professes to feeling that way as well, despite having pocketed a Writers Guild of America lifetime achievement award the night before for his screenplays, including the Oscar-winning "Shakespeare in Love."


"I was always nervous coming here. The first time I was terrified," he said. "I'm trying not to sound nauseatingly self-deprecating, but I don't think of myself as being a terrific screenwriter or even a natural screenwriter."


Combine that, he said, with the local entertainment industry's perception that "I'm some different kind of animal," a high-minded artist to whom the words "intellectual" and "philosophy" are freely applied.


But if Hollywood can be forgiven anything, it should be that. Stoppard has created a remarkable wealth of two dozen-plus plays, including "Rosencrantz and Guildenstern Are Dead," ''Travesties" and "The Real Thing," and he's counting on more.


He looks like a proper man of letters, with unkempt gray hair, a comfortably unstylish cardigan and a delicately shaped mouth that hesitates, slightly, before dispensing exacting thoughts on the art of writing (without pretension: he relishes a snippet of "Ghostbusters" dialogue.)


Stoppard also is the master behind "Parade's End," a five-part HBO miniseries (airing Tuesday through Thursday, 9 p.m. EST) that was lauded by U.K. critics as "the thinking man's 'Downton Abbey'" after its BBC airing.


Adapted by Stoppard from a series of novels by British writer Ford Madox Ford, "Parade's End" features rising stars Benedict Cumberbatch ("Sherlock Holmes" and the upcoming "Star Trek" movie) and Rebecca Hall ("Vicky Cristina Barcelona") in the juiciest of roles.


Like PBS' "Downton Abbey," it's set in the early 20th century among aristocrats and encompasses World War I's shattering effect on the social order. Romance is provided by the triangle of Cumberbatch's tradition-bound Christopher, his unfaithful wife, Sylvia (Hall), and a suffragette (Australian newcomer Adelaide Clemens). The uniformly impressive cast includes Janet McTeer, Miranda Richardson, Roger Allam and Rupert Everett.


Stoppard rejects the oft-made comparison to PBS' "Downton" as unfair to it and its writer-creator, Julian Fellowes: "I was embarrassed by it because it's so condescending of Julian's work. He's a good writer and he's done a superlative job," he said. It's also a misguided comparison because "Downton" is heading toward season four and "Parade's End" is "five episodes and that's it, forever."


The self-effacing Stoppard leaves it at that. But there's a wider gap between the two: "Downton" is an easy-to-digest soap opera, while "Parade's End" is a challenging, nuanced view of a slice of British society and a set of singular characters, all dressed to the nines in the heady language of literature.


"There's a wonderful richness to the language and a beauty, which I think is the brilliance of Tom Stoppard, and also this very beautiful language of Ford Madox Ford," said director Susanna White.


The heedless, acid-tongued Sylvia has dialogue to relish, something Stoppard cannot resist.


"The line I like best comes straight from Ford: (the public) likes 'a whiff of sex coming off our crowd, like the steam on the water in the crocodile house at the zoo,'" he said, adding gleefully, "What a line!"


Although careful to credit the novelist with that particular zinger, Stoppard said "Parade's End" is the first adaptation in which his dialogue and that from the original text have become intertwined in his memory.


He attributes that to the year he spent forming Ford's intricate novels into a screenplay, often crafting original scenes, and the several more years he spent helping bring the series to fruition with the producers and White ("Generation Kill").


"It's the closest thing to writing a play which isn't a play that I have ever been involved with," he said.


The stage has been the Czech-born Stoppard's chief occupation since leaving journalism in his 20s. But he's made a number of detours into film, either as a screenwriter or a behind-the-scenes script doctor. His latest big-screen project is the adaptation of "Anna Karenina" with Keira Knightley.


Stoppard's insistence that he isn't an outstanding scriptwriter stems, in part, from his reticence. Then there's what he calls the differing "schools of eloquence" represented by film and plays.


"I envy and admire movies which are eloquent without recourse to long speeches," he said, citing several lines to illustrate his point. One comes from "The Fugitive" ("I don't care," Tommy Lee Jones says after Harrison Ford insists he didn't kill his wife), another from "Ghostbusters."


Bill Murray is confronted by "this kind of Amazonian ghost goddess, spooky thing, and he goes, 'This chick is toast,'" Stoppard said, with a delighted smile.


"It's the sense that precisely the right words have been uttered," he explained.


That's how fellow scribes feel about him. One L.A. film and TV writer said she regularly rereads the famed cricket-bat speech from "The Real Thing," about the challenge of writing, for joy and inspiration: "If you get it right," the character Henry says, "the cricket ball will travel two hundred yards in four seconds, and all you've done is give it a knock like knocking the top off a bottle of stout, and it makes a noise like a trout taking a fly. What we're trying to do is to write cricket bats, so that when we throw up an idea and give it a little knock, it might travel."


For now, the right words for Stoppard would be those of a new play, the first since "Rock 'n' Roll" from seven years ago. He has no regrets about immersing himself in "Parade's End," but is ready for the solitude needed to find the right story for the stage.


He used to steal away to a house in France until the air travel became too much. Now he makes do with a "small, shabby cottage an hour-and-a-half from London, which in theory is supposed to be my French house. But it's not far enough away" to evade commitments, social and otherwise. ("I'm Mr. Available," he laments.)


It's welcome assurance to hear the guild lifetime award he received Feb. 17 doesn't signal a halt for Stoppard. It did pull him up short, at least briefly.


"I was quite surprised. Though I am 75, so I shouldn't be surprised. But I haven't thought of stopping yet."


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Online:


http://www.hbo.com


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Lynn Elber is a national television columnist for The Associated Press. She can be reached at lelber(at)ap.org and on Twitter (at)lynnelber.


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David Gregory re-ups as 'Meet the Press' host


NEW YORK (AP) — NBC News says David Gregory has re-upped as host of "Meet the Press."


The network shared few details Thursday, describing the new deal as "a long-term commitment."


Gregory called it "a great vote of confidence from NBC."


He said his first four years in the moderator's chair passed quickly. He added: "It feels like we're just getting started."


The 42-year-old Gregory began as host of the Sunday morning public-affairs program in December 2008. He succeeded the late Tim Russert.


Before that, Gregory was chief White House correspondent during the presidency of George W. Bush. Gregory joined NBC News in 1995.


Gregory is only the 10th permanent host of "Meet the Press," which is the longest-running program on network television. It premiered in 1947.


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Jane Lynch to star on Broadway in 'Annie'


NEW YORK (AP) — Jane Lynch has something to be gleeful about — she's about to make her Broadway debut.


The "Glee" star said Wednesday she'll be replacing Tony Award-winning actress Katie Finneran as the evil orphanage matron Miss Hannigan in the current revival of "Annie."


"I'm so thrilled I can't see straight," the actress said by phone from her home in Los Angeles. "It's a preposterous fantasy come true."


Lynch, a veteran of Chicago's Steppenwolf Theatre Company, will play Miss Hannigan for eight weeks, from May 16 through July 14. Finneran will depart to film a new NBC comedy series with Michael J. Fox.


"It's a real joy for me to step into her shoes, which are large and scare the hell out of me," said Lynch. "But it's good to be scared. It's good to jump off a cliff."


Lynch will star opposite Lilla Crawford in the title role and Anthony Warlow as Daddy Warbucks. The music by Charles Strouse with lyrics by Martin Charnin contains gems like "You're Never Fully Dressed Without a Smile," ''Tomorrow" and "It's the Hard Knock Life."


Lynch has an Emmy and Golden Globe for playing the track-suited, glee-club-hating cheerleading coach Sue Sylvester on "Glee." Her film credits include "Wreck-It Ralph," ''Three Stooges," ''The 40 Year old Virgin" and "A Mighty Wind."


She said she knows "every breath of this musical," having grown up listening to the cast album with her mother. She recalls seeing the film in the mid-1980s and adoring Carol Burnett, who played Miss Hannigan.


Lynch finds it funny that she'll go from playing a TV teacher who is fond of random acts of terror to a gin-swilling orphanage head to calls her charges "brats," denies them hot mush and threatens "your days are numbered."


"I do a lot of mean people," she said. "I'm the sweetest person you'll ever meet but I do have a fascination with that kind of cruelty that comes from a very, very soft place."


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Online: http://www.AnnieTheMusical.com


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Follow Mark Kennedy on Twitter at http://twitter.com/KennedyTwits


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McCartney, Mumford top eclectic Bonnaroo lineup


NASHVILLE, Tenn. (AP) — There will be a British invasion of the main stage at Bonnaroo this year.


Paul McCartney and Mumford & Sons are among the headliners for the 2013 Bonnaroo Music & Arts Festival in Manchester, Tenn.


The four-day festival, held on a rural 700-acre farm, always features an eclectic roster, but the June 13-16 event is even more varied than usual.


Returnees Tom Petty & the Heartbreakers also hold down a headliner spot. Then things get a little crazy with R&B star R. Kelly, alternative queen Bjork and Wu-Tang Clan celebrating its 20th anniversary. Wilco, Pretty Lights, The Lumineers, The National, The xx, Kendrick Lamar, A$AP Rocky, Nas and ZZ Top also top the list announced Tuesday by "Weird Al" Yankovic via Bonnaroo's YouTube channel.


Tickets go on sale at noon EST on Saturday.


McCartney, the former Beatle and recent frontman of Sirvana, will be making his first appearance at the event.


Mumford & Sons, fresh off its album of the year win at the Grammy Awards, return to Bonnaroo after a memorable 2011 second-stage performance that stretched more than an hour, drew friends Old Crow Medicine Show and had fans hanging off fences to get a better view.


Other top-of-the-list performers include Macklemore & Ryan Lewis, Animal Collective, Daniel Tosh, David Byrne & St. Vincent, Passion Pit and Grizzly Bear.


The festival hosts more than 120 acts. More will be announced later.


There are a few curiosities on the list. Glam-punk Billy Idol and Odd Future member and mystery man Earl Sweatshirt are scheduled to perform. Jim James will host a Soul SuperJam with John Oates, Zigaboo Modeliste of the Meters and the Preservation Hall Jazz Band.


Fans of roots rock, Americana and folk-leaning acoustic music will have more than Mumford and The Lumineers to focus on. Also scheduled to perform are Dwight Yoakam, Jason Isbell & The 400 Unit, John Fullbright, Of Monsters and Men, Calexico, JD McPherson, Father John Misty and The Tallest Man on Earth.


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Online:


http://bonnaroo.com


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Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott.


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McCready's ex: Anyone close could see it coming


HEBER SPRINGS, Ark. (AP) — Mindy McCready threatened to kill herself after losing custody of her sons earlier this month, yet she was allowed to leave a court-ordered drug rehabilitation program days before she apparently killed herself, her ex-boyfriend said Monday.


Billy McKnight, who was in a long, rocky relationship with McCready and who is the father of her oldest child, Zander, said the 37-year-old mother of two stayed in the in-patient substance abuse treatment center for about 18 hours before being allowed to walk free.


Authorities say McCready died in an apparent suicide Sunday at her home in Heber Springs, a vacation community about 65 miles north of Little Rock. Sheriff Marty Moss said McCready was found dead on the front porch where her boyfriend, musician David Wilson, died last month of a gunshot wound to the head. Investigators are investigating his death as a suicide, but haven't yet determined the his cause of death.


McKnight, speaking to The Associated Press phone from Tampa, Fla., said McCready and Wilson had actually gotten engaged. He wondered how she was allowed to go free, given all the turmoil in her life.


"That was a big mistake on the part of whoever released her," McKnight said. "... She was in a terrible state of mind. She doesn't perform any more. She wasn't working. She has two kids and her fiance was just killed. There's no way she should be out by herself in a lonely house with nothing but booze and pills. That was a really, really bad mistake, and the end result is tragic."


Neighbors reported hearing two shots Sunday afternoon when they called the Cleburne County Sheriff's Office. Authorities found Wilson's dog dead next to McCready's body.


"Based on what we have found at the scene at this time, we do believe that she took the life of the dog that we are being told by family members belonged to Mr. Wilson before she took her own life," Sheriff Marty Moss said.


The sheriff confirmed McCready's two sons remained in foster care where they were at the time of her death. McKnight says he's working with authorities to get custody of his son, Zander, and was not privy to what's happening with infant boy Zayne, who was born to McCready and Wilson last year.


McCready's sons were put in foster care and she was ordered into rehab earlier this month after McCready's father expressed concern. He told a judge his daughter had stopped taking care of herself and her children after Wilson's death and she was abusing alcohol and prescription drugs.


Moss said he expects McCready's official cause of death will be released soon, but that "all indicators" point to a suicide. Her body has been sent to the state crime lab for autopsy.


McCready attempted suicide at least three times previously and her fragile state of mind was always a concern to family and friends who cared for her.


"This didn't come as a surprise, although shocking," McKnight said. "She was bitter. She was bitter at the world and she was bitter at herself, and she could just never shake it. She could never beat it.


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AP writer Jeannie Nuss in Arkansas contributed to this report. Music Writer Chris Talbott wrote from Nashville, Tenn.


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Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott


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Discovery bets on 2 dope series about pot growers


NEW YORK (AP) — Cupcake makers, pawnbrokers and storage container raiders have all had their moments in reality television's spotlight. Now the time may be right for marijuana growers — and the people who chase them.


The Discovery network debuts a six-episode series, "Weed Country," at 10 p.m. Wednesday and will replace it with "Pot Cops" in April. Both examine the marijuana trade in northern California.


It fits Discovery's efforts to introduce interesting subcultures to viewers, said Nancy Daniels, the network's executive vice president for production and development on the West Coast. Discovery tried a series about a medical marijuana dispensary in Oakland two years ago, "Weed Wars," and is sticking with dope even though the show didn't do very well in the ratings.


"We still think it's an interesting world and maybe we didn't tap into the right part of it," Daniels said.


Based on its first episode, "Weed Country" is a nuanced effort at giving equal time to both sides of the issue. Producers find colorful growers who use science to make the best product possible. They don't believe what they are doing is wrong. "We're flying the flag of civil disobedience," one grower said.


The growers may be trying to dodge the law, but don't hesitate to open up different facets of their business to television cameras.


At the same time, "Weed Country" shows the challenges faced by law enforcement. It follows one group's careful training for backwoods missions to find farms guarded by growers who are armed and intent upon protecting their crops.


"It surprised me with how deep and complex it was," Daniels said.


The show does have some distracting reality TV contrivances. Before one commercial break, a grower making a late-night delivery to a customer becomes suspicious of a van that ominously pulls out behind him on a dark road. After the break, the van drives innocently by. At another point, producers lead you to believe the grower is about to be pulled over by police when, after a commercial, it becomes clear the officer is going after someone else.


The "Pot Cops" series will be told from the point of view of law enforcement, after producers reached an agreement for access to officers hunting down marijuana farms in California's Humboldt County.


Discovery had planned to air the two programs back-to-back on the same night and promote it as "Weed Wednesday" on the network. But those plans were dropped because unrelated programming expected to be available this spring had fallen through and Discovery needed "Pot Cops" to fill a hole on its schedule in April.


The change had nothing to do with feeling cold feet about a "Weed Wednesday" promotion, Daniels said.


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Romanian movie 'Child's Pose' wins at Berlin fest


BERLIN (AP) — Romanian director Calin Peter Netzer's movie "Child's Pose" has won the top Golden Bear award at the annual Berlin film festival.


A runner-up Silver Bear went to Danis Tanovic's "An Episode In the Life of an Iron Picker," in which a Bosnian Roma, or gypsy, couple re-enact their own struggle to get treatment after their baby died in the womb. Nazif Mujic, the husband, was voted best actor by the festival jury on Saturday.


Best actress was Paulina Garcia for her part in Chilean director Sebastian Lelio's "Gloria."


American filmmaker David Gordon Green was honored as best director for "Prince Avalanche," a movie about two road workers whiling their way through a long, monotonous summer.


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Judge: Kardashian divorce ready for trial


LOS ANGELES (AP) — A judge says Kim Kardashian's divorce case is ready for trial.


Superior Court Judge Stephen Moloney says a trial date should be set and Kardashian's estranged husband, Kris Humphries, has had adequate time to prepare.


Moloney's ruling Friday in Los Angeles came after months of wrangling between lawyers for when a trial can be set to end the former couple's marriage.


Humphries wants an annulment, while Kardashian is seeking a divorce.


His attorney had been seeking additional time to obtain information about Kardashian's reality shows.


A trial will determine whether Humphries can prove his claims that the couple's marriage was based on fraud.


The case will move to another judge to set a trial date, which Moloney says may be in four to six weeks.


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Miss America heads back to Atlantic City, NJ


ATLANTIC CITY, N.J. (AP) — Miss America, Atlantic City's prodigal pageant, is coming home, and the spectacle that became synonymous with the New Jersey seaside resort is being assured all is forgiven after a six-year fling in Las Vegas.


The pageant will be back where it started 93 years ago and where it was fixture until 2006, when organizers moved to Nevada in the hopes of attracting a younger TV audience.


"It was always my dream that this would return here," said Art McMaster, president and CEO of the Miss America organization. "Sadly, this organization went west for a while. That sadness is over. We are back to the city where the Miss America pageant began, where the Miss America pageant was raised, and where the Miss America pageant belongs."


Atlantic County Executive Dennis Levinson, who worked with Gov. Chris Christie's office to entice the pageant, said having Miss America anywhere but Atlantic City just felt wrong.


"Can anyone separate the Mummer's Parade from Philadelphia, or the Rose Bowl from Pasadena?" he asked. "Miss America is Atlantic City, and she's coming home."


New Jersey's lieutenant governor, Kim Guadagno, made the official announcement Thursday morning inside Boardwalk Hall, the historic arena in which the pageant will take place during yet-undetermined dates in September. She said Atlantic City and the pageant have a handshake agreement to move back here for at least three years, but said final details have yet to be ironed out.


One thing is for sure, though: the contestants will don elaborate footwear and participate in the traditional pre-pageant Boardwalk parade, in which spectators yell out "Show us your shoes!"


Guadagno said no taxpayer money was part of the incentives offered to lure the pageant back to New Jersey. Liza Cartmell, president of the Atlantic City Alliance, said her casino-funded group is among those providing financial incentives, but would not say how much it might contribute. She said individual casinos are contributing as well, and the Casino Reinvestment Development Authority could use some of the funds casinos are obligated to pay to it for Miss America-related purposes.


Guadagno and Cartmell said the return of the pageant is expected to generate at least $30 million in economic activity for Atlantic City and the surrounding region. But the psychological boost, and the free publicity of having the national broadcast set in Atlantic City, is priceless, they added. Cartmell said 6,000 to 7,000 people associated with the pageant will need hotel rooms, meals and other expenditures during their time in Atlantic City.


"We will be showcasing all the attractions we have in Atlantic City," Cartmell said. The pageant contestants "will be climbing the lighthouse, they'll go to Gardner's Basin, they may go dolphin-watching — all the fun things people do when they come to Atlantic City. The amount of free media for us is great."


The Miss America pageant left Atlantic City in 2006 after deciding it was just too expensive to stage its production there. It went to Las Vegas, where the current Miss America, Mallory Hagan, was crowned last month at the Planet Hollywood Resort & Casino. Hagan will have her reign cut short when the pageant is broadcast in September, but will be paid for the full year, pageant officials said.


The move to Las Vegas came amid sliding TV ratings for the pageant, as it tried to interest a younger demographic and incorporating elements of reality television programming.


McMaster said the content of the show is still being worked on, adding he expects a mixture of modern television elements and traditional pageant staples such as evening wear and swimsuit competitions, and talent competitions. The format is being jointly developed with the ABC television network, which will broadcast the pageant for the next three years, he said.


The Miss America pageant started as little more than a bathing suit revue. It broke viewership records in its heyday and bills itself as one of the world's largest scholarship programs for women. But, like other pageants, it has struggled to stay relevant as national attitudes regarding women's rights have changed.


The contest originated in 1920 as the Fall Frolic, which became the Inter-City Beauty Contest the following year. In 1921, a high school junior named Margaret Gorman was one of approximately 1,000 entrants in a photo contest held by the Washington Herald. She was chosen as the first Miss Washington, D.C., and her prize was a trip to Atlantic City, where she won the top prize: the Golden Mermaid Trophy.


The next year, Gorman was expected to defend her title. But when the Washington Herald selected a new Miss Washington, D.C., Atlantic City pageant officials didn't know what new title to award Gorman. Since both titles she won in 1921 — Inter-City Beauty, Amateur and The Most Beautiful Bathing Girl in America — were considered somewhat awkward, it was decided to call her Miss America.


The pageant was conceived by the Businessmen's League of Atlantic City as a way to extend the summer tourism season in Atlantic City for another week, being held the weekend after Labor Day weekend, when temperatures were generally still warm.


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Wayne Parry can be reached at http://twitter.com/WayneParryAC


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Actress considers deal in NY Baldwin stalking case


NEW YORK (AP) — A Canadian actress accused of stalking Alec Baldwin is considering a plea deal.


Genevieve Sabourin (JEHN'-uh-veev SAB'-oo-rihn) appeared Wednesday in a Manhattan court. The case was adjourned until Thursday as she and prosecutors try to hammer out a deal.


Sabourin lives in Quebec and has acted in television and film.


She and Baldwin met on the set of the 2002 sci-fi comedy "The Adventures of Pluto Nash." He had a cameo and she was a publicist. Baldwin says they had dinner together in 2010.


Police originally arrested Sabourin after authorities said she had implored Baldwin to see and to marry her in emails sent only days after he became engaged to yoga instructor Hilaria Thomas.


His publicist confirmed Tuesday that Baldwin and his now-wife are expecting their first child together.


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Life imitates film in story of vengeful LA ex-cop


LOS ANGELES (AP) — It sounds like the plot line to a movie: He's a former LA cop on a violent, rage-filled rampage who will stop at nothing for revenge.


Instead, police say, it is the latest real-life crime story to grip Southern California, a place where fiction frequently blurs with reality and pop culture often plays larger than the truth.


Christopher Dorner's alleged killing spree hasn't just terrorized a section of the country — it has captured people's imagination and attention.


As of Monday, the triple-murder suspect had more than 70 Facebook fan pages, some with thousands of "likes." Many people were going on those pages to call him an American hero, a man of true conviction who is fighting for his beliefs.


Others praised him for attempting to fight injustice and racism "by any means necessary," quoting the expression popularized by Malcolm X during the 1960s Black Power movement.


Even Charlie Sheen asked the missing suspect to give him a call.


"Let's figure out together how to end this thing," the star of the TV series "Anger Management" says in a 17-second video posted on the website TMZ.com in which he also thanks Dorner for praising him as an actor.


Dorner's shoutout to Sheen, "You're effin awesome," came in a long, rambling manifesto the former cop allegedly posted online in which he accused the Los Angeles Police Department of wrongly firing him, railed against racism and other abuses, and weighed in on his favorite movies and celebrities.


He also vowed vengeance against the police officers he believes wronged him and ruined his reputation. So far, authorities say, he has carried out that threat, killing a Riverside police officer, attempting to kill three other police officers and killing the daughter of a former Los Angeles police captain and her fiance.


And then, just like a scene out of a movie, he vanished Rambo-like, presumably into the deep snow of a sprawling national forest 90 miles east of Los Angeles. Authorities found his burned-out car with weapons inside last week but, so far, no trace of him despite a search coordinated by the FBI, LAPD and other police agencies.


"My first thought was this is the stuff movies are made of," said Karen North, a social media expert at the University of Southern California's Annenberg School. But then her second thought, North said, was that unlike the anti-heroes played to such great effect by Sylvester Stallone in the "Rambo" movies and Arnold Schwarzenegger in "The Running Man," Dorner has no redeeming qualities.


"He's killed people who are real people with real families and real friends, and he's terrorized entire communities," she said.


His ability to so far elude one of the largest manhunts in memory, however, has quickly elevated Dorner to folk-hero status among some.


Dorner T-shirts were selling Tuesday for as much as $18. In addition, a photo of a large man who vaguely resembles Dorner and is wearing a T-shirt with the words "Not Chris Dorner, Please Do Not Shoot," has been shared repeatedly on Facebook and Twitter.


So have pictures of Dorner released by police that fans later labeled "American Hero." At least one was altered to resemble Shepard Fairey's famous "Hope" poster of President Barack Obama.


"People, especially Americans, like to identify with anti-heroes and underdogs, and if you take away the fact that he has killed innocent people, people identify with his messages," North said of the attention and sometimes sympathy that Dorner's online rants against racism, injustice and police brutality have brought.


In that way, she said, some will identify him with popular outlaws of the past such as Bonnie and Clyde or Butch Cassidy and the Sundance Kid.


"But when we do this, we often forget that these people are creating heartbreak for the individuals' lives they affect," North continued.


People watching the case haven't overlooked that Los Angeles police officers who are clearly on edge have mistakenly opened fire on two different vehicles they thought Dorner might be driving.


Since those shootings, one of which wounded a woman and her daughter, some pickups around town now carry handmade signs reading, "Don't Shoot. Not Dorner."


The manifesto linked to Dorner rambles on for more than 10,000 words, spending much of the first half accusing Los Angeles police of wrongly firing him, destroying his reputation and leaving him with no choice but to kill people to bring those actions to the public's attention and restore his name. He also tells of enduring racist taunts during much of his school years, when he says he was often the only black student in his classes.


In the second half, the ex-cop addresses numerous celebrities, including Sheen.


Dorner, who has said he expects to die in a violent confrontation with police, also laments that he likely won't live to see the third "''Hangover" movie. He also advises director Todd Phillips to end the franchise after that film and not cheapen it by milking it for more sequels. He sides with Larry David's character in an episode of the TV comedy "Curb Your Enthusiasm" in which David's black friends tell him white people keep their homes too cold at night.


He also heaps praise on Ellen DeGeneres and Bill Cosby.


Except for Sheen, the celebrities have chosen to ignore Dorner.


"We will look back on this not as somebody with a great cause who called attention to it in a bad way," she said. "This is somebody who created terrible heartbreak."


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Grammy audience down, still 2nd highest since 1993


NEW YORK (AP) — While the Grammy Awards couldn't come close to the freakishly high ratings generated in 2012 because of Whitney Houston's death and Adele's smashing success, this year's show had the second-largest audience for the program since 1993.


The Nielsen company said Monday that music's annual awards show was seen by 28.4 million people Sunday night on CBS.


The Grammys this year were packed with high-powered musical moments and, in its awards, celebrated the industry's diversity rather than overwhelmingly honoring one artist. It also had a few water-cooler moments: Which boyfriend was Taylor Swift specifically dissing in her latest performance of "We Are Never Ever Getting Back Together"? Was Chris Brown flaunting his revived relationship with Rihanna?


The music academy's decision to turn the televised Grammys into more of a showcase than an awards show appears to be bearing fruit, too. The show's audience was nearly 2 million higher than the 26.7 million who watched in 2011. From 2005 to 2009, the Grammy Awards audience fluctuated from 17 million to 20 million viewers.


Last year, 39.9 million people tuned in to see how the industry would react to Houston's death just before the awards and celebrate the coronation of its hottest star, Adele, who won six Grammys.


This year's show featured the musical return of Justin Timberlake, collaborations honoring Bob Marley and Levon Helm, and performances by the majority of stars up for major awards.


The Grammys far outpaced the Emmys, which had 13.3 million viewers last September for its more traditional awards show, and the Golden Globes, which had 19.7 million viewers in January. The upcoming Oscars usually get more than 30 million viewers.


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All eyes on Frank Ocean as Grammy Awards approach


LOS ANGELES (AP) — Everybody's thinkin' about Frank Ocean.


Ocean is a cause celebre and the man with the momentum as Sunday's Grammy Awards approach. One of six top nominees with six nominations apiece, the 25-year-old R&B singer turned cultural talking point will have the music world's attention.


It remains to be seen if it will be the "Thinkin Bout You" singer's night, but there's no question he's dominated the discussion so far. Already a budding star with a gift for building buzz as well as crafting songs, Ocean was swept up by something more profound when he told fans his first love was a man last fall as he prepared to release his major-label debut, "channel ORANGE."


It was a bold move and one that could have submarined his career before it really even got started. Instead, everyone from Beyonce to the often-homophobic R&B and rap communities showed public support. It was a remarkable moment.


"It speaks to the advancements of our culture," renowned producer Rick Rubin said. "It feels like the culture's moving forward and he's a representative of the new acceptance in the world for different ideas, which just broadens (our experience), makes the world a better place."


A recent altercation in a parking lot with Chris Brown only focused more attention on Ocean. Ocean says Brown was the aggressor; both are competing against each other in one of the Grammy categories.


Ocean is up for the major awards best new artist, album of the year and record of the year when the show airs live on CBS at 8 p.m. EST from the Staples Center, sharing top-nominee billing with fun., Dan Auerbach of The Black Keys, Mumford & Sons, Jay-Z and Kanye West.


Don't hand Ocean those trophies just yet, though. R&B and hip-hop performers (Ocean is part of the Odd Future collective) have had a spotty history at the Grammys recently when it comes to major awards.


Only one R&B act has won album of the year this century, and it's hard to even call him just an R&B act given his legend, artistic scope and material: Ray Charles for his "Genius & Friends," an all-star collaboration that was honored posthumously.


Also limiting Ocean's chances for a clean sweep are his fellow top nominees. Most are riding waves of their own.


Fun. became just the second act to sweep nominations in all four major categories with a debut album, equaling Christopher Cross' 1981 feat. Like Cross' "Sailing," the New York-based pop-rock band has ridden along on the crest of an inescapable song: "We Are Young," featuring Janelle Monae.


Cross won five Grammys, sweeping the major awards. Fun. likely will have a much harder time piling up that number of victories because of the buzz surrounding the group's competitors. It's not just Ocean who has people talking.


London-based folk-rockers Mumford & Sons had one of the top-selling albums of the year with "Babel" and already has a history with The Recording Academy's thousands of voters, having been nominated for major awards the year prior. Also, The Black Keys have a winning track record at the Grammys.


And don't count out West and Jay-Z, who were shut out of the major categories but remain very much in voters' minds.


Jack White's "Blunderbuss" competes with fun.'s "Some Nights," Ocean's "channel ORANGE," Mumford's "Babel" and The Keys' "El Camino" for the night's top award, album of the year.


Gotye's "Somebody That I Used To Know," featuring Kimbra, Taylor Swift's "We Are Never Ever Getting Back Together" and Kelly Clarkson's "Stronger (What Doesn't Kill You)" join the fun., Ocean and Black Keys entries in record of the year.


Fun. and Clarkson also are nominated for song of the year along with Ed Sheeran's "The A Team," Carly Rae Jepsen's "Call Me Maybe" and Miguel's "Adorn."


And rounding out the major categories, fun., Ocean, Alabama Shakes, Hunter Hayes and The Lumineers are up for best new artist.


Those major nominees figure prominently on the 3 1/2-hour telecast, broadcast live on CBS at 8 p.m. EST.


Swift will kick things off with a show-opening performance. Fun. and Ocean will take the stage. Others scheduled to perform include Justin Timberlake, Carrie Underwood, Clarkson, White and Juanes.


There will be no shortage of mashups the Grammys have become famous for, either. Elton John, Mavis Staples, Mumford, Brittany Howard, T Bone Burnett and Zac Brown are saluting the late Levon Helm, who won the Americana Grammy last year a few months before his death. The Keys will join Dr. John and the Preservation Hall Jazz Band on stage. Sting, Rihanna and Bruno Mars will perform together. Other team-ups include Miranda Lambert and Dierks Bentley, and Alicia Keys and Maroon 5.


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Online:


http://grammy.com


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Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott.


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Stars salute MusiCares honoree Bruce Springsteen


LOS ANGELES (AP) — Be it concert or charity auction, Bruce Springsteen can bring any event to a crescendo.


Springsteen briefly took over auctioneering duties before being honored as MusiCares person of the year Friday night, exhorting the crowd to bid on a signed Fender electric guitar by amping up the deal. The 63-year-old rock 'n' roll star moved the bid north from $60,000 by offering a series of sweeteners.


"That's right, a one-hour guitar lesson with me," Springsteen shouted. "And a ride in my Harley Davidson sidecar. So dig in, one-percenters."


That moved the needle past $150,000. He added eight concert tickets and backstage passes with a bonus tour conducted by Springsteen himself. That pushed it to $200,000, but he wasn't done.


"And a lasagna made by my mother!" he shouted as an in-house camera at the Los Angeles Convention Center cut to his 87-year-old mother Adele Ann Springsteen.


And with an extra $250,000 in the musicians charity's coffers, Springsteen sat down and spent most of the evening in the unusual role of spectator as a string of stars that included Elton John, Neil Young, Sting, Kenny Chesney, John Legend, Faith Hill and Tim McGraw, Patti Smith, Jackson Browne took the stage two nights before the Grammy Awards.


"Here's a little secret about Bruce Springsteen: He loves this," host Jon Stewart joked. "There's nothing he'd rather do than come to Los Angeles, put on a suit ... and then have people talking about him like he's dead."


Alabama Shakes kicked things off with "Adam Raised A Cain" and over the course of the evening there were several interesting takes on Springsteen's voluminous 40-year catalog of hits. Natalie Manes, Ben Harper and Charlie Musselwhite played a stripped down "Atlantic City." Mavis Staples and Zac Brown put a gospel spin on "My City of Ruins." John added a funky backbeat to "Streets of Philadelphia." Kenny Chesney offered an acoustic version of "One Step Up."


Jim James and Tom Morello burned through a scorching version of "The Ghost of Tom Joad" that brought the crowd out of their seats as Morello finished the song with a fiery guitar solo. And Mumford & Sons took it the opposite way, playing a quiet, acoustic version of "I'm On Fire" in the round that had the crowd leaning in.


Legend offered a somber piano version of "Dancing in the Dark" and Young shut down the pre-Springsteen portion of the evening with a "Born in the USA" that included two sign-language interpreters dressed as cheerleaders signing along to the lyrics.


"John Legend made me sound like Gershwin," Springsteen said. "I love that. Neil Young made me sound like the Sex Pistols. I love that. What an evening."


Springsteen spoke of the "miracle of music," the importance of musicians in human culture and making sure everyone is cared for. And he joked that he somehow ended up being honored by MusiCares, a charity that offers financial assistance to musicians in need run by The Recording Academy, after his manager called up Grammys producer Ken Ehrlich to seek a performance slot on the show in a "mercenary publicity move."


In the end, though, he was moved by the evening.


"It's kind of a freaky experience, the whole thing," Springsteen said. "This is the huge Italian wedding Patti (Scialfa) and I never had. It's a huge Bar Mitzvah. I owe each and every one of you. You made me feel like the person of the year. Now give me that damn guitar."


He asked the several thousand attendees to move toward the stage — "Come on, it's only rock 'n' roll" — and kicked off his five-song set with his Grammy nominated song "We Take Care Of Our Own." At the end of the night he brought everyone on stage for "Glory Days."


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Online:


http://grammy.com


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Follow AP Music Writer Chris Talbott: http://twitter.com/Chris_Talbott.


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US Rep welcomes "Lincoln" concession on accuracy


HARTFORD, Conn. (AP) — A Congressman who saw a flaw in the movie "Lincoln" says he is pleased the screenwriter has conceded an inaccuracy in its portrayal of an 1865 vote on slavery.


U.S. Rep. Joe Courtney, a Democrat who represents eastern Connecticut, said Friday he is still hoping that a correction can be made before the film is released on DVD.


Screenwriter Tony Kushner said in a statement released Friday it was not accurate to show two Connecticut congressmen voting against the 13th Amendment, which abolished slavery.


But Kushner said his changes adhered to widely accepted standards for the creation of historical drama. He said he wanted to clarify the historical reality that the amendment passed by a very narrow margin.


"Lincoln," which leads the Oscars with 12 nominations, stars Daniel Day-Lewis as the former president.


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Breasts, buttocks banned by CBS from Grammys


NEW YORK (AP) — CBS is asking stars not to bare too much skin at the Grammy Awards on Sunday.


The network requests that "buttocks and female breasts are adequately covered" for the televised award show. The memo sent out Wednesday also warned against "see-through clothing," exposure of "the genital region" and said that "thong type costumes are problematic."


Representatives for CBS and the Recording Academy declined to comment on Thursday. Deadline Hollywood first reported the memo.


CBS broadcast the infamous 2004 Super Bowl halftime show that included Janet Jackson's "wardrobe malfunction." The network was initially fined by the Federal Communications Commission, though the fine was later overturned.


The 55th annual Grammy Awards will be held Sunday 8 p.m. EST at Los Angles' Staples Center.


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